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Zubin Kanga is a pianist, composer, and technologist. For over a decade, he has been at the forefront of creating, co-creating and performing interdisciplinary music that seeks to explore and redefine what it means to be a performer through interactions with new technologies.
Since 2021, he has been the Director and Research Lead of Cyborg Soloists, a 7-year music technology research project supported by a UK Research and Innovation Future Leaders Fellowship and based at Royal Holloway, University of London, where he is Senior Lecturer in Musical Performance and Digital Arts. Cyborg Soloists is unlocking new possibilities in composition and performance through interactions with AI and machine learning, interactive visuals, motion and biosensors, and new hybrid instruments. His Cyborg Soloists work has been featured in The New York Times, The Wire, Classical Music Magazine, The Guardian and Limelight Magazine, and regularly featured on BBC Radio and the BBC World Service.
Zubin has premiered more than 160 works and performed at many international festivals including the BBC Proms, Huddersfield Contemporary Music Festival, Aldeburgh Festival, London Contemporary Music Festival (UK) Melbourne Festival (Australia), Paris Autumn Festival (France), Time of Music (Finland), Music Current (Ireland), Klang Festival (Denmark), Hamburg International Music Festival (Germany), Gaudeamus Festival (Netherlands), Transit Festival (Belgium) and Modulus Festival (Canada).
This presentation discusses the development, creation, performance and performance of a multimedia performance work, Steady State.
Steady State (2024) was created by performer, technologist and Research Lead Zubin Kanga (Royal Holloway, University of London), composer Alexander Schubert (Musikhochschule Hamburg), Brain-Computer Interaction engineer Serafeim Perdikis (University of Essex), and a team of other artists, in partnership with ANT Neuro. The work recasts the recital as a retro-sci-fi laboratory in which the performer is both subject and instrument. Wearing an ANT Neuro EEG cap, hand-controlled motion sensors and multiple muscle sensors, Kanga streams brain-wave rhythms, finger articulations and torso motions into a custom Max/TouchDesigner system that simultaneously moulds and morphs the immersive electronics sounds, and sculpts dreamlike holographic projections. Using Steady State Visually Evoked Potential signals, Kanga is able to control the audio-visual patterns through the choice of which strobing object on the holographic screen that he focuses on, facilitating the use of brain sensors to consciously control sound and visuals on stage. Alongside this, finger movements use the motion sensors to create a virtual piano, while the EMG sensors shape the bass electronics. At the climax, the brain data and the audio-visual system enter a feedback loop, accelerating to the work’s hallucinatory and transcendental conclusion.
This presentation discusses the process of developing the software with Dr Perdikis, the development of the multimedia work with Alexander Schubert, and the experience of performing the work, which has now been performed by Zubin Kanga at the National Hall in Dublin, Huddersfield Contemporary Music Festival and the Elbphilharmonie, as part of Hamburg International Music Festival. The work will also be placed in the context of Zubin Kanga’s wider music-technology research project Cyborg Soloists.